I wonder sometimes if people were surprised by Miss Fury Page 3. I wrote the dialog, and it was all ready to go but… we heard it before. “You beat up my man how could you, You have no idea how much me means to me, I can change him, blah blah blah blah.” You heard it before.
I thought the whole page was more eloquent just silent, especially since the pictures so effectively tell a weird story that is strangely easy to follow. About half the panels were drawn freehand from the Tarpe Mills original with variations, and half are original panels by me. Fifty fifty – I love Tarpe Mills, so all must be 50-50. I liked doing these a lot, but they can be time consuming to draw and “color.” (I used six gray markers of different shades).
Click to enlarge. Total size is 1000 pixels wide, or 11×17″.
I encourge people to pick up a collection of Tarpe Mills work – Miss Fury by Tarpe Mills: Sensational Sunday’s (1941-44) edit by Trina Robbins. Tarpe Mills’ color work in the book is really gorgeous – done with just four color separations for the printer – amazing work. The second half explodes in rich red tones everywhere. Well worth the cover price!
New Miss Fury Liberated, 1939. The silent page! The next Miss Fury Page may take a few months, as I have to pick up other neglected titles and roll out some fun new stuff.
Click To Enlarge!!!
If anyone wants to see more Miss Fury Liberated 1939, then they better got to Contact and send me a message. Feedback will always get me interested in doing more of a particular title. My current project is the same era as Miss Fury (1939 vs. 1938) so check back for that information , to be posted in one week. It’s a pulse pounding pulp story called “Three Against Satan.” Soon!
Side by Side Comparison of my work with Tarpe Mills, (Her original strip for Sunday Newspapers is now public domain).
I would say its pretty much 50/50 Mills/Brian on story, style, same vs. different panels. As you can see the story veers off in a quite a different direction (before coming back around, lots of fun turns), and the dialog is a lot more me than Mills. Mills is known as a brilliant storyteller but also a writer of clunkly dialog common to most comic writers of the time. I gave the dialog a much hipper, charming edge that matches the rest of what she did, restoring her spirit to the words. It’s really about what comes after page one…. I love Mill’s Miss Fury, and true love is a 50/50 propostion!!
ORIGINAL MISS FURY/BLACK FURY by TARPE MILLS, 1941. that appeared in the Sunday papers. These are black and white versions of the originals in color. Left to right. Original (like mine) was done on a 12 panel grid.
These pages were formated for reprint by Timely Comics later in the 40s and 50s.
Brian’s Version of MISS FURY, Same Page (MISS FURY: LIBERATED, 1939)
50/50 her and me. I think of Tarpe MIlls as my teacher. Female form and style, design, and oh those Clothes!! Taste of the era of great taste! Best stuff yet to come. For atmosphere, I used gray to suggest an old movie from the period. I just saw “Mad Love.” My dialog is rather Ernst Lubitsch (?) – hip, style, fresh, fun, but suddenly serious at times. Love the light and shadows of those films, like this:
click to enlarge. Its 11×17 or 1000 pixels wide, about 1.5 MB.